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Surrounded by Films

Films I watch, films I review – with special focus on 'World Cinema'.

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drama

Review: 120 BPM (120 Battements Par Minute, 2017)

During the end credits no one talked, there was no noise, and there was not even a sound. That was the impact the film had on the viewers. Everyone slowly put their coats on and left the screening room. My... Continue Reading →

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Review: You Disappear (Du forsvinder, 2017)

|This article first appeared in Humans of Film Amsterdam| You Disappear started by captivating me with a shocking scene and then it moved on to confuse me and amuse me. This film brings to the table issues of mental health... Continue Reading →

Review: Manifesto (2017)

|This article first appeared in Humans of Film Amsterdam| Now that I see the runtime I realise that Manifesto is not that long. Probably it felt long because I was thinking during the whole screening, reflecting on the words spoken... Continue Reading →

Review: A Fantastic Woman (Una mujer fantástica, 2017)

A Fantastic Woman became one of my favourites of this year, if not of all-time. It is a sublime combination of great cinematography with a perfect coherent story accompanied by the excellent music of Matthew Herbert. This film is a... Continue Reading →

Review: The King (더 킹, 2017)

Many film critics denominate it the ‘Korean Wolf of Wall Street’ or even the ‘Korean Goodfellas’ and ‘Scorsese crime saga’. And they are right - not in terms of ‘copycat’ or ‘wannabe’, as the film portrays a unique entertaining and solid... Continue Reading →

Review: The Bad Batch (2016)

The trailer got me excited. The Bad Batch seemed to be a great pop culture film with remarkable actors, music and plot line - that was the trailer. The Bad Batch is a science-fiction romantic action film directed by Ana... Continue Reading →

Review: The Double Lover (L’amant double, 2017)

Before watching L’amant double, I checked out the trailer. The trailer depicted L'amant double as a suspense thriller murder/detective-ish film - just a common story that didn’t interest me that much. However, because the director is François Ozon I said... Continue Reading →

Review: A Woman’s Life (Une Vie (, 2016)

|This article first appeared in Humans of Film Amsterdam| A profound film about a young woman’s journey into an unideal adulthood. Her journey is a passionate heartbreak that is filled with hope and naivety. Une Vie is a timeless story... Continue Reading →

Review: The King of Pigs (돼지의 왕, 2011)

Continuing on the subject of pigs and South Korean cinema, this week I present you The King of Pigs. A dark violent animation about the sometimes cruel reality that can be found in the South Korean culture. The King of... Continue Reading →

Review: Okja (2017)

Bong Joon-ho did it again. In Cannes 2017, this Netflix production had a standing ovation after experiencing some technical difficulties. It also generated a discussion about whether or not digital distribution (thus not theatrical) could be in the film festival... Continue Reading →

Review: The Fury of a Patient Man (Tarde para la ira, 2016)

What a debut! The Fury of a Patient Man (Tarde para la ira, 2016) is Raúl Arévalo’s debut film, which won four Goya Awards for Best Film, Best New Director, Best Original Screenplay, and Best Supporting Actor (Manolo Solo). The... Continue Reading →

Review: The Road to Mandalay (再見瓦城, 2016)

The Road to Mandalay (再見瓦城, 2016) directed by Midi Z presents Lianqing (Wu Ke-Xi) who starts her journey from Burma to Thailand. In Thailand she hopes to obtain a work that would allow her to support her family back home.... Continue Reading →

Review: Apprentice (2016)

Death penalty is legal in Singapore and more than 80% of its population is in favour of this sanction. Therefore, making a movie that opens up the debate on death penalty in a country where most of its population is... Continue Reading →

Review: Moonlight (2016)

What a powerful story! I am not saying this only because the main protagonist is a strong one, but also because of the amazing empathy created by the narration, cinematography, and sound. Moonlight (dir. Barry Jenkins) is a story about... Continue Reading →

Review/Report: Mikio Naruse – Unknown Master of Japanese Cinema

From 12 through 29 January 2017 the EYE Film Institute introduces Mikio Naruse to The Netherlands by showing 14 of his films. This Japanese filmmaker is an “unknown master of Japanese Cinema,” as EYE denominates him. After watching two of... Continue Reading →

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